— December 15th, 2011

Reports surfaced this morning that the gentlemen over at The Cartoonist Studio (http://www.thecartooniststudio.com/) have launched their 2nd annual cartooning contest. The Daily Cartoonist reports that the contest will kick off February 6th. The Grand Prize? Your comic will run on GoComics.com and you will be paid “any advertising money generated on [the comic’s] GoComics.com page.” And… AND… an electronic-book publishing contract. There will also be prizes for two runners up.

I’m wondering why the grand prize isn’t a time machine, because the winner will need one for any of this to be relevant.

Dear Cartoonists Studio: This is not a prize. Anyone can put their comic on a webpage and populate it with ads from Google Adsense. GoComics.com isn’t promising (nor can it deliver) traffic. That has to be generated by the artist anyway, so why add a middleman? Also there is no such thing as an electronic-book publishing contract. That’s like selling freshman elevator passes on the first day of the spring semester.

Dear Syndicates: You are making yourselves look more and more out of touch with every passing day. The USC Anneberg School for Commincation and Journalism just released a study that predicts newspapers are gone in five years. If you want to survive beyond that cataclysmic event, you gotta figure out this online stuff soon.

So here’s what we’re going to do. I talked in length this morning with Brad Guigar, and we are both clearing time in our 2012 schedule to act as paid consultants to the highest bidder. We have over 30 years of combined experience in monetizing comic strips online. But most importantly, we have built a well-deserved trust with not only the audience but also the talent pool you’re targeting.

We have what you want.

Wait, I’m sorry, let me rephrase that.

We have what you NEED. And we are willing to sell it to you, for the right price.

Now, look, we already lost one syndicate this year. Who will we lose next year? Creators… I’m looking in your direction. King Features… I’m not sure we can help, to be honest. Your properties skew pretty old, and although I’m sure Brad and I do have ideas on how to market Popeye to college kids who like Wimpy ironically, that’s about it. But there are a lot of people out there who are facing oblivion and we’re here to help.

I know you don’t think you need this, but you do. Have you ever heard of the Dunning-Kruger effect? Wikipedia it. That’s what you have. A couple of our colleagues, Meredith Gran and Aaron Diaz, once called themselves “Dunning-Kruger Solutions.” We might pay them a licensing fee so Brad and I can use that name. Cause that’s what we’re offering. You don’t even know that you don’t know this stuff. Electronic-book publishing contract? You guys have Dunning-Kruger. Bad.

Okay, I hear you. You pay a whole Online Department a lot of money to pretend that they know the score. And if you were to hire us, it might be a sign of weakness. I got you covered. Here’s what you do. Have the NCS hire us to be consultants for them (you). You’re already funding it, and you attend all their functions. Just tell them to hire us as consultants and then — since them is you anyway — you get all this stored knowledge and you don’t lose any face.

Before you decide, consider this: What if a cartoonist hires us first? Or a group of cartoonists? Or another syndicate? We’ll consult for the highest bidder. Maybe that’s Jim Davis or Lynn Johnston. They both have pretty nice houses and could afford us. Then they get to keep all our knowledge for themselves and don’t have to share it with the syndicate. Maybe Mort Walker hires us and just shelves us so that nobody else can have us and he can die with the most money. What if a bunch of middle-tier cartoonists chip-in and hire us to help them set up a life AFTER you guys? You need them more than they need you. They make the comics and you make a distribution model that’s dying.

All I’m saying is that Brad Guigar and Scott Kurtz are available. We know how to generate income with daily comic strips online and we’re willing to work directly with someone to set up new revenue streams before this whole thing goes tits up.

What do you have to lose? You’re all out of work in five years anyway. Pull the pin and count to three. We can’t put you in a position that’s worse than you’re in now. And if you don’t hire us, what if Creators does? Creators… can you afford to give Universal that advantage?

You think I’m joking and you might feel insulted right now. But in about ten minutes you’re going to be reviewing a memo about layoffs or some newspaper circulation chart that’s pointing down (still) and it’s going to sink in. You got nothing to lose and everything to gain. And we are deadly serious about this offer.

“Electronic-book publishing contract”. Creators executives, that’s what your competition thinks the future is. We can do WAY better than that. Hire us and we’ll have you guys so ready for the future you’ll sound like a Philip K. Dick novella. Everyone else… same offer.

Let the bidding begin.

— November 28th, 2011

Interesting article about editorial cartoonist Mike Keefe over at Cagle.com. Mike has just accepted a buyout from the Denver Post where he’s been a staffer for over 35 years. He’ll retire from The Post on the 29th of November.

In an interview Mike was asked what role he thought cartoonists have in this digital age? His response: “The answer to that is implied in your question. Clearly cartoonists must create with digital media in mind. Traditional newspapers are going to be a less robust and thinner version of their former selves. Not many will be able to afford to support a full-time cartoonist. That means someone has to crack the code concerning online profits. Till that time, it will be a forum for the dedicated and passionate cartoonist who also works at Starbucks.”

It’s amazing to me that after all these years, I still have a chip on my shoulder about such comments. That the old guard still considers us part-time amateurs. Passionate baristas. If I’ve learned one thing in the 14 years I’ve been a full-time cartoonist, it’s that you can not let anyone else define your professionalism. It has to be a personal ethos to which you adhere despite third party influence or acceptance. The old measuring sticks for professionalism are going away and now more than ever it’s time for independent creatives to set the bar.

Set it high.

— November 28th, 2011

Kris and I were discussing that the term Cyber Monday is dumb and seems outdated. But we were unable to come up with a better term. And that’s why I’ve discounted a lot of my more popular items in the PvP store for this years Cyber Monday sale and not for our Roboid-Monday Sale-o-troib (we did try).

A couple things you should know are one sale, because they are pretty sweet deals:

The PvP Awesomology is a splipcased, 600 page hardcover that contains over 8 years of PvP strips. It’s a limited item, we only made 1000 of them. And what we have left is what we have left. They sell for $100 retail and they’re on sale now for $80 bucks.

Another limited item are the PvP Desktop Icon vinyl toys. While we do plan to make more of these, the current designs will be retired once they’re sold out. The Panda icon is gone forever, but there’s still a chance to decorate your desktop with a LOLbat or Skull. And they’re five bucks off today.

Let’s get down to brass tacks….we got two different kinds of posters. And both are half off today.

Check out the store for these and other Bleep-Bloop Monday Sale items at our store




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